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"Nobody taught it to me. Father sings it to me when Tilly, nurse, nor you aren't there to put me to bed. He don't know no good songs like 'Black-eyed Susan' or 'Little Boy Blue.' I go to sleep quick 'cause he makes me feel tired with his slow tune what's only good for frogs and things. Get a piece of cloth to tie over the top of the glass, Molly, quick!" "Do you know, Miss Pat," said Elinor, breaking a long silence "that I don't like Doris Leighton any more. It isn't because she got the prize—you know me better than to think that—but I've been noticing her more closely recently and I don't think she rings true." "And mine, too," said Maurice, hotly. "Isabella is--".
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Elinor nodded, picking up her letter again. "You don't seem at all keen about David," she began, when Judith broke out excitedly, holding up her letter. "It's too late now to bother about denying it, Miss Pat dear," said Elinor soothingly. "It doesn't really matter much, you know, since we three know I didn't copy. After all, it's a very little thing. I'd rather be blamed unjustly than have done such a poor act. Don't feel so badly about it, dear. We can tell our friends that it was a mistake on Mr. Benton's part, and they'll believe us, I'm sure. It doesn't matter for the rest." "Say that again, young one," she demanded imperatively. "Make it good and plain this time." Judith gave her pale locks a toss. "Why, we're all doing it!" she crowed. "You two in the Academy, and I at home here in my diary and my stories! Aren't we a talented lot!".
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